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THE SOPRANOS Archives - Bea Escolar https://beaescolar.com/tag/the-sopranos/ I talk about films, TV shows, writing and productivity. Mostly, I talk about what I love. Wed, 20 Sep 2023 16:12:43 +0000 en-US hourly 1 https://wordpress.org/?v=6.9.4 TOP 10 MOMENTS IN TV SHOWS (PART 1) https://beaescolar.com/top-10-moments-in-tv-shows-part-1/?utm_source=rss&utm_medium=rss&utm_campaign=top-10-moments-in-tv-shows-part-1 Sun, 20 Sep 2020 15:23:06 +0000 https://beaescolar.com/?p=1144 I love seeing top ten lists. I’ve wanted to make a favourite TV show list for the longest time. But a part of me thought, "this has been done so many times before! How can I make it different?". So I decided to make a list of my top 10 moments in TV shows. It […]

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I love seeing top ten lists. I’ve wanted to make a favourite TV show list for the longest time. But a part of me thought, “this has been done so many times before! How can I make it different?”. So I decided to make a list of my top 10 moments in TV shows. It includes sequences that hooked me on a show or bone-chilling scenes that either set the series on whole other level or, simply, marked a precedent for future shows. I tried avoiding character deaths in this list as that would be too easy. I’ll admit though, there is one death among these ten moments. Possibly two, depending on how you look at it. Keep reading if you want to know what the hell I’m talking about.
 
This post will be divided in two parts. Obviously, there will be spoilers for these shows. To make it easier for you to avoid these spoilers I’ll write a list of the shows I’ll be talking about before each post.
 
Let’s start with part 1 of this list. In this post, there’ll be spoilers for “The Jinx” (Andrew Jarecki, 2015), “Les Revenants” (Fabrice Gobert, 2012-2015), “The Wire” (David Simon, 2002-2008), “The Sopranos” (David Chase, 1999-2007) and “Sharp Objects” (Marty Noxon, 2018). You’ve been warned! Let’s get to it.
 

10. “Sharp Objects” – “Milk” (1×08)

I never thought a line such as “Don’t tell mama…” would make shivers run down my spine. Alas, this show managed just that.

Camille gets home and for the first time notices something strange in Amma’s dollhouse. A tooth. Actually, the whole floor is made of teeth. Also, notice how the doll is placed at the window, exactly the same way the body was found. This is how it’s revealed that Amma killed her friend.

After a whole season trying to figure out who the monster who killed that poor girl could be, taking into account all the men… no-one would have thought sweet Amma and her friends were behind it. This reveal together with the quick shots scattered throughout the final credit scenes will surely keep you awake at night.

 

9. “The Sopranos” – “Pilot” (1×01)

It’s often said that “The Sopranos” sparked a Golden Age for TV. It’s also one of my favourite shows ever. So it needed to be included in this list. And what better moment to include than its first scene: Tony Soprano in his psychiatrist’s office talking about his panic attacks. If this doesn’t seem like a brilliant take on a mob drama I don’t know what does.

And for the sake of slightly cheating throughout this list, let’s make this a “twofer”. I was actually considering the ending scene for this list. You know, that famous cut-to-black ending that angered many fans when it first aired? I freaking loved it. I swear to you my adrenaline was rushing throughout this scene. Why am I including (but not including-wink, wink) this scene in my list? Well, in my interpretation of the ending, Tony dies right then and there. And as I said, I tried avoiding deaths in this list. Because that would make the list too easy, right?

 

8. “The Wire” – “-30-” (5×10)

Often named the greatest show on TV, it was hard to choose a moment of the show that stood out for me. The “fuck” scene, Omar’s death… truth be told, it’s not a show that contains great dramatic twists, yet it’s the greatest drama ever.

And then I thought about the ending. That perfect ending scene accompanied by the show’s theme song “Way Down in the Hole” where you see the characters going on with their lives. What have we learned? Apparently nothing. Nothing will get better. History will repeat itself as it always has thanks to the systems in place and the people who want to keep them that way. Perfect ending to a perfect show.

“The Wire” is important because it has educated many of us on this situation. With this information, people can take action. Vote, write to your government representatives… whatever it takes. This is the greatness of “The Wire”. Not only is it a great drama, it’s an educational experience.

7. “Les Revenants” – “Camille” (1×01)

This addition is great for my list. I didn’t want to include deaths so it’s cool to be talking about a show where the whole premise is that its protagonists are coming back to life, right? Now I have to admit that I never got to watch the second season. I heard it’s not as great as the first one so I never got to it. I might in the future, though. Who knows?

In any case, “Les Revenants” has an incredible first season with many moments that could be included in this list. One of my favourite scenes is when Camille’s mother discovers her daughter has come back. Camille is casually making herself a sandwich talking about how she woke up in the middle of nowhere. Her mother’s reaction is just gut-wrenching throughout the scene. I opted to share a different moment though. The scene where Camille meets her sister because it’s an incredibly executed reveal. It starts with Lena arriving home. She’s undressing in her room when she hears a knock on her wall coming from her sister’s room. She knocks back. Another knock follows, one Lena recognises. When she opens the door, she sees Camille. They both scream. We then flashback four years and we find out Camille and Lena are not only sisters. They’re twins. That’s what makes their reaction more powerful.

Not only does Lena see her sister alive again after all these years of partially feeling responsible of her death. Camille now understands that time has passed since she died. Their parents hear their screams and rush up the stairs. They all hold each other during this incredibly cathartic moment.

 

6. “The Jinx” – “What the Hell Did I Do?” (1×06)

Andrew Jarecki’s documentary of Robert Durst’s life is fascinating. Jarecki had previously directed a fictionalised version of this starring Ryan Gosling titled “All Good Things” (2010). Apparently, after seeing the film, Durst called him up to see if he would interview him so that he could tell his story. Jarecki accepted.

“The Jinx” is the result of that interview. It’s crazy, riveting and informative. And like all good crime documentary it makes you feel like a great detective. Until the last scene, that is. Just when you think the show is over, something amazing happens. We see the interview set as it’s being closed down. The lights are being turned off, all that stuff. Meanwhile, we hear Robert Durst. You see, he’s gone to the bathroom and apparently forgot that his microphone is still on. The conversation he has with himself will make your blood run cold.

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MY SUMMER 2020 FAVOURITES https://beaescolar.com/my-summer-2020-favourites/?utm_source=rss&utm_medium=rss&utm_campaign=my-summer-2020-favourites Sun, 09 Aug 2020 17:15:00 +0000 https://beaescolar.com/?p=1056 It’s been almost a year since I did my first and only “favourites” posts. The truth is, I wanted to do one of these monthly. But as time went by I realised that, with a full time job, this blog and writing my own scripts, there was no way I would be consuming enough content […]

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It’s been almost a year since I did my first and only “favourites” posts. The truth is, I wanted to do one of these monthly. But as time went by I realised that, with a full time job, this blog and writing my own scripts, there was no way I would be consuming enough content to post monthly about it. It can sometimes take me over a month to read a book, watch a show or move on to a new album (I love listening to the same album over and over again until I’m ready to move on, what can I say?). I still love this type of blog post, though. So I decided to share my favourites seasonally, and if need be, I’ll add a part 2 to that season.
 
So here I am, sharing my summer 2020 favourites.
 

WHAT I’M LISTENING TO

Beth Garrabrant
“FOLKLORE”, “FOLKLORE”, “FOLKLORE”. You guys knew this, right? I mean… Duh.
Taylor Swift’s new album feels summery and autumny at the same time. (Autocorrect here, telling me “autumny” is not a word. If summery is a word, then autumny is too. OK?)
It’s an album you can listen to while on a road trip through the most amazing green fields, but it’s also an album I can sit down and listen to while wrapped up in a blanket and drinking a glass of red wine.
It’s lyrically one of the most complex Taylor Swift albums. Sonically, it partly feels closer to her first albums… yet… it doesn’t. There’s a twist. I guess the twist is The National’s Aaron Dessner. Jack Antonoff, Taylor’s long time creative partner, has also worked on a few songs and he is, of course, always welcome. The album is magical, enchanting and powerful. “reputation” was my favourite Taylor Swift album but maybe “folklore” has moved it to number 2. Not sure. Still deciding.
This woman’s mind never ceases to amaze me. The fact that she wrote and put together this whole album during isolation is incredible. I was sad because I was supposed to see her in July at Madcool Festival, which was of course cancelled. Taylor surprising us by releasing “folklore” cured my coronavirus sadness for sure.
 
OK, OK. I know some of you might be interested in other stuff I’ve been listening to. So HAIM’S “Women in Music Pt. III” which feels old-timey and new at the same time. All the songs are so different and I’m loving it.
 
I also just watched Beyoncé’s “Black is King” which maybe I should mention in the “What I’m Watching” category but I use that more for shows. In any case, “Black is King” is incredible. The Visuals, the Power… the Glory. This visual album has brought me to discover “The Lion King: The Gift”, which I will be listening to again and again, for sure. My favourites so far are “BROWN SKIN GIRL” and “MY POWER”.
 
 

WHAT I AM READING

“The Bullet Journal Method” by Ryder Carroll. As I shared on my Instagram, bullet journaling really helped me years ago to get a clearer head and focus on my goal to work in the film industry. However, since getting there, I kind of let it go.
 
I’ve got to be honest, this pandemic has been hard on my mental health and anxiety. So I’ve decided to take up bullet journalling again, to see if I can center myself once more. I decided to read Carroll’s book to get new ideas for my journal. The book is amazing, and I love its emphasis on the importance of intention for the journal. This is why, as I’m easing back into my practice, I’m trying to focus on what’s important to me, like my personal projects that keep my creative juices flowing and keep me sane.
 
“Little Women” by L.M. Alcott. I needed a little fiction in the mix and what’s better than catching up on my classics during my summer break? I’ve never read “Little Women” (Insert “BOOS” here). I know, I know. Better late than never, I guess. Anyway, after loving Greta Gerwig’s film adaptation, I decided to read the book before rewatching.
 
I’m half-way through “The Bullet Journal Method” and I’d like to use my annual summer break to also read: “Marketing to Moviegoers A Handbook of Strategies and Tactics” by Robert Marich, because you’ve got to keep learning, ya know.
 

WHAT I’M WATCHING

I’ve been wanting to watch “Avatar: The Last Airbender” (Michael Dante DiMartino, Bryan Konietzko, 2005-2008) for the longest time, but never got to it. Seeing how it popped on Netflix, I had no further excuses. So I’ve started watching. Six episodes in, it’s ok, so far. I know it gets better and better with time so, definitely, I will keep watching. I know “The Legend of Korra” (Michael Dante DiMartino, Bryan Konietzko, 2012-2014) is supposed to reach Netflix soon too. I’ll probably have to get to that too.
 
“Dear White People”(Justin Simien, 2017 – ?). I’m starting my second season of this show. I like it. I don’t love it, but I like it. The trouble I have with this show is that I feel like sometimes the episodes themes overpower the dramatic arc of the characters. Which means the characters don’t feel as well constructed as they could be. Except for Reggie and Coco (my personal faves), the rest of characters don’t feel as rich. During the series, each characters gets their own episode where they are the protagonist. Those episodes help bring more depth to the characters. However, once they move on to the next one, those characters go back to feeling more like plain background characters. Like they’re there only to serve the episodes theme. Am I the only one who feels like this? Don’t get me wrong though, I find the show thought-provoking and incredibly entertaining which is a difficult balance to maintain, so my biggest kudos on that. Personally, this show, together with some reading I’ve been doing, has helped me understand my white privilege and what it means. So I’m going to keep watching and, if anything else, I’m going to keep learning.
 
I’m also rewatching “The Sopranos”. I’ve been wanting to do this for a long time. Me and my boyfriend are revisiting the show and taking our time. We’re using this rewatch to read “The Sopranos Sessions” (by Matt Zoller Seitz and Alan Sepinwall). Every night we watch an episode, we’ll read the episode analysis that is in the book. So far, a great experience. Highly recommend. PS: I forgot how much life this show’s theme song brings me.
 

 

WHAT I’M WORKING ON

This Blog. I’m writing on a few stock articles in order to be able to publish more often.

Rewrites on my script. It’s time to meet my feature film script again and work on my rewrites. I’ve been putting it off but… no more. I’m starting next week. Wish me luck.

Self-care for mental health. Bullet journalling is part of it.

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